All posts by
Soundstripe Team
Walker Beard on the Second Mountain Every Band Has to Climb
Walker Beard has been on most sides of the live music business. He played in a well-regarded Athens ...
Teddy Cheek of The Escape Game on Boy Bands and Escape Rooms
Teddy Cheek is VP of retail operations at Great Big Game Show, the live game show experience built ...
Rebecca Rechtszaid: Creators Are Media Companies Now
Rebecca Rechtszaid took 13 years of vocal lessons, played in South Florida garage bands, and ...
Jennifer Pyken on Music Supervision: A Song Is Never Just a Song
Jen Pyken has supervised music on more than a thousand episodes of television. She was nominated ...
Joe Koufman: Reach Out Before You Need Something
Joe Koufman has introduced brands to marketing agencies more than a thousand times. He has also ...
Steak Shapiro: The 30-Second Commercial Is Over
Steak Shapiro mailed cassette tapes to 14 program directors he had never met, got one call back, ...
J.R. McNeely on Mixing: Way More Art Than Science
J.R. McNeely has mixed more than 300 albums across nearly three decades, for Underoath, Relient K, ...
Music Supervisor Thomas Golubić on Breaking Bad and Pluribus
Thomas Golubić has picked the songs for some of the most acclaimed television of the last two ...
Aaron Sprinkle: Self-Taught, Still Learning
Aaron Sprinkle produced MXPX's debut as a teenager, spent the mid-2000s making records that a ...
How We Brought High-Quality Licensed Music to Shopee Video With the Soundstripe API
Shopee is the largest e-commerce platform in Southeast Asia and Taiwan, and is a leading e-commerce ...
Best Sync Licensing Companies: 25 Red Flags to Watch | Soundstripe
Agency teams know the green-flag stories. Big logos, slick demos, "trusted by" walls, the ...
Best Music Licensing Companies: 30 Questions to Ask | Soundstripe
Most brand teams default into one of two patterns when they pick a music licensing provider. Either ...