Edition 01

Industry leading music supervisors curate our catalog.

Playlists from the people who pick the music for Ted Lasso, Get Out, and Avengers: Endgame. Here’s who they are, what they listen for, and what they found.
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Get Out posterTed Lasso posterAvengers: Endgame poster

THE LINEUP

SUPERVISORCREDITSTitle
Anna Romanoff9-1-1: Nashville, Monster, High School Musical: The SeriesMusic Supervisor at Yay Team Music
Ashley YoungP-Valley S3, Unabomber, Club Kid, Monster: The Lizzie Borden Story (Trailers & Teasers)Music Supervisor at GrandSon Creative
Brian VickersAvengers: Endgame, Star Wars: The Rise of Skywalker, Soul (Trailers)Lead Music Supervisor at Walt Disney Studios
Chris MollereGet Out, The Vampire Diaries, Pretty Little LiarsMusic Supervisor at Fusion Music Supervision
Donté BuchananPeloton, The Dynasty: New England Patriots, On The Rise: JuJu WatkinsMusic Supervisor, Hip-Hop/R&B at Peloton Interactive
Tony Von PervieuxTed Lasso, Shrinking, Bad Monkey, ScrubsMusic Supervisor at TVPmusic

Anna Romanoff

Music Supervisor at Yay Team Music

Anna Romanoff

Credits

  • Off Campus (Amazon)
  • Monster, Mating Season, Human Resources (Netflix)
  • Dr. Odyssey, 9-1-1: Lone Star (Fox)
  • 9-1-1: Nashville (ABC)
  • High School Musical: The Musical: The Series, Saturdays (Disney+)
  • American Horror Stories, American Sports Story: Aaron Hernandez (FX)
Selected studio and network credits

“Going through the Soundstripe catalog, I put together a playlist of indie rock and indie pop songs that can create a sense of place without pulling focus from the scene. These tracks feel textured and expressive to help bring modern stories to life.”

Ashley Young

Music Supervisor at GrandSon Creative

Ashley Young

Credits

  • P-Valley S3 Teaser - STARZ
  • Unabomber Trailer - Netflix
  • Club Kid Trailer - A24
  • Monster: The Lizzie Borden Story Countdown Teaser - Netflix
Netflix

Soundstripe made it easy to find just the right tracks with a real signature sound. They were abstract, but still approachable. They felt unique and avant-garde, while still being thoughtfully produced to help with any trailer edit structure.”

Brian Vickers

Lead Music Supervisor at Walt Disney Studios

Brian Vickers

Credits

  • Avengers: Infinity War (Trailer)
  • Avengers: Endgame (Trailer)
  • Star Wars: The Last Jedi (Trailer)
  • Star Wars: The Rise of Skywalker (Trailer)
  • The Mandalorian & Grogu (Trailer)
  • Soul (Trailer)
  • Zootopia 2 (Trailer)
Selected studio and network credits

“These cues have strings and brass or orchestral elements that can give scenes an emotional lift and add something special to any type of visual… giving them beauty, movement, joy, or anything else you’d see at the movies.”

Chris Mollere

Music Supervisor at Fusion Music Supervision

Chris Mollere

Credits

  • The Vampire Diaries, Pretty Little Liars (CW)
  • Get Out (Universal Pictures)
  • Them (Amazon)
Selected studio and network credits

“Digging into Soundstripe’s supernatural playlist, I kept finding tracks that breathe with the picture, that give editors something to work with and audiences something to feel without knowing why. If you’re working on anything with a dark, eerie, or otherworldly quality, this is absolutely worth your time.”

Donté Buchanan

Music Supervisor, Hip-Hop/R&B at Peloton Interactive

Donté Buchanan

Credits

  • Peloton
  • The Dynasty: New England Patriots (Apple TV+)
  • On The Rise: JuJu Watkins (NBC Sports)
  • She Taught Love (Hulu)
  • Traphouse (Aura Entertainment)
  • Safeheaven (Tubi)

“Hip-hop has a unique way of commanding the screen, shifting a scene’s gravity the moment it drops. Digging into Soundstripe’s catalog, I found that beautiful friction where the street meets the symphony.

Tony Von Pervieux

Music Supervisor at TVPmusic

Tony Von Pervieux

Credits

  • Ted Lasso (Apple TV+)
  • Bad Monkey (Apple TV+)
  • Shrinking (Apple TV+)
  • Rooster (HBO)
  • Scrubs (Hulu)
Selected studio and network credits

“Whatever emotive response I was looking for, I was able to listen through the Soundstripe catalog with ease to find a lot of great indie songs that cover all my bases.

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The same catalog these supervisors pulled from—royalty-free, cleared for film, TV, ads, and social—is open to you. New supervisor profiles publish weekly.